East Coast Rocker

Putting You in the Front Row

Bob Dylan Gives Rare Interview for his own Website on the Eve of Release of ‘Triplicate’ Albums

By JOHN DALY

Bob Dylan says he never met Hubert Humphrey, he likes Iggy Pop’s album, Apres, and watches I Love Lucy non-stop when he’s on the road.

Those are some of the insights the grandfather of American Folk and Nobel Prize winner said in a rare interview published on his website.

Dylan’s previous albums of classics, Fallen Angels released last year and Shadows in the Night, from 2015 were hits that earned GRAMMY Award nominations for Best Traditional Pop Vocal Album.

On the eve of the release of his 3-album collection called Triplicate, (March 31) Dylan reflects at length with interviewer Bill Flanagan. For the full interview go to Bob Dylan’s website.

Has performing these songs taught you anything you didn’t know from listening to them?

I had some idea of where they stood, but I hadn’t realized how much of the essence of life is in them – the human condition, how perfectly the lyrics and melodies are intertwined, how relevant to everyday life they are, how non-materialistic.

Up to the sixties, these songs were everywhere – now they have almost faded away. Do they mean more to you when you hear them now? 

They do mean a lot more. These songs are some of the most heartbreaking stuff ever put on record and I wanted to do them justice. Now that I have lived them and lived through them I understand them better. They take you out of that mainstream grind where you’re trapped between differences which might seem different but are essentially the same. Modern music and songs are so institutionalized that you don’t realize it. These songs are cold and clear-sighted, there is a direct realism in them, faith in ordinary life just like in early rock and roll.

It’s hard not to think of World War II when we hear some of these. You were born during the war – do you remember anything about it?

Not much. I was born in Duluth – industrial town, ship yards, ore docks, grain elevators, mainline train yards, switching yards. It’s on the banks of Lake Superior, built on granite rock. Lot of fog horns, sailors, loggers, storms, blizzards. My mom says there were food shortages, food rationing, hardly any gas, electricity cutting off – everything metal in your house you gave to the war effort. It was a dark place, even in the light of day – curfews, gloomy, lonely, all that sort of stuff – we lived there till I was about five, till the end of the war.

Between the Depression and the war, people had to swallow so much pain that songs that might sound overly sentimental to us had tremendous resonance. A line like “as a man who has never paused at wishing wells” – it might sound corny to people who haven’t lived too much. Can you get inside these songs in your 70s in a way you might not have been able to in your 20s and 30s?

Sure, I can get way inside. In my 20s and 30s I hadn’t been anywhere. Since then I’ve been all over the world, I’ve seen oracles and wishing wells. When I was young there were a lot of signs along the way that I couldn’t interpret, they were there and I saw them, but they were mystifying. Now when I look back I can see them for what they were, what they meant. I didn’t understand that then, but I do now. There is no way I could have known it at the time.

When you see footage of yourself performing 40 or 50 years ago, does it seem like a different person? What do you see?

I see Nat King Cole, Nature Boy – a very strange enchanted boy, a terribly sophisticated performer, got a cross section of music in him, already postmodern. That’s a different person than who I am now.

For more on Bob Dylan’s remarkable insights see his website, BobDylan.com

 

The 59th Annual GRAMMY Awards Nominations List: Here Are the GRAMMY Nominees for 2017

List of GRAMMY AWARDS NOMINATIONS 2017

In case you forgot which of your favorite performers, producers and musicians are up for GRAMMY Awards this year, here is the nominations list.

The 59th annual GRAMMY Awards will kick off at 5 PM PT, 8 PM ET on Sunday, with red carpet beginning two hours earlier and parties lasting well into the late night.

Album of the year:

“25” — Adele

“Lemonade” — Beyoncé

“Purpose” — Justin Bieber

“Views” — Drake

“A Sailor’s Guide to Earth” — Sturgill Simpson

 

Record of the year:

“Hello” — Adele

“Formation” — Beyoncé

“7 Years” — Lukas Graham

“Work” — Rihanna featuring Drake

“Stressed Out” — Twenty One Pilots

 

Song of the year:

“Formation” — Khalif Brown, Asheton Hogan, Beyoncé Knowles & Michael L. Williams II, songwriters (Beyoncé)

“Hello” — Adele Adkins & Greg Kurstin, songwriters (Adele)

“I Took a Pill In Ibiza” — Mike Posner, songwriter (Mike Posner)

“Love Yourself” — Justin Bieber, Benjamin Levin & Ed Sheeran, songwriters (Justin Bieber)

“7 Years” — Lukas Forchhammer, Stefan Forrest, Morten Pilegaard & Morten Ristorp, songwriters (Lukas Graham)

 

Best new artist:

Kelsea Ballerini

The Chainsmokers

Chance the Rapper

Maren Morris

Anderson .Paak

 

Best pop vocal album:

“25” — Adele

“Purpose” — Justin Bieber

“Dangerous Woman” — Ariana Grande

“Confident” — Demi Lovato

“This Is Acting” — Sia

 

Best dance/electronic album:

“Skin” — Flume

“Electronica 1: The Time Machine” — Jean-Michel Jarre

“Epoch” — Tycho

“Barbara Barbara, We Face a Shining Future” — Underworld

“Louie Vega Starring…XXVIII” — Louie Vega

 

Best rock album:

“California” — Blink-182

“Tell Me I’m Pretty” — Cage the Elephant

“Magma” — Gojira

“Death of a Bachelor” — Panic! at the Disco

“Weezer” — Weezer

 

Best alternative music album:

“22, a Million” — Bon Iver

“Blackstar” — David Bowie

“The Hope Six Demolition Project” — PJ Harvey

“Post Pop Depression” — Iggy Pop

“A Moon Shaped Pool” — Radiohead

 

Best urban contemporary album:

“Lemonade” — Beyoncé

“Ology” — Gallant

“We Are King” — King

“Malibu” — Anderson .Paak

“Anti” — Rihanna

 

Best rap performance:

“No Problem” — Chance the Rapper featuring Lil Wayne & 2 Chainz

“Panda” — Desiigner

“Pop Style” — Drake Featuring the Throne

“All the Way Up” — Fat Joe & Remy Ma featuring French Montana & Infared

“That Part” — Schoolboy Q featuring Kanye West

 

Best country solo performance:

“Love Can Go to Hell” — Brandy Clark

“Vice” — Miranda Lambert

“My Church” — Maren Morris

“Church Bells” — Carrie Underwood

“Blue Ain’t Your Color” — Keith Urban

 

Best jazz vocal album:

“Sound of Red” — René Marie

“Upward Spiral” — Branford Marsalis Quartet With Special Guest Kurt Elling

“Take Me to the Alley” — Gregory Porter

“Harlem On My Mind” — Catherine Russell

“The Sting Variations” — The Tierney Sutton Band

 

Best gospel album:

“Listen” —Tim Bowman Jr.

“Fill This House” — Shirley Caesar

“A Worshipper’s Heart [Live]” — Todd Dulaney

“Losing My Religion” — Kirk Franklin

“Demonstrate [Live]” — William Murphy

 

Best contemporary Christian music album:

“Poets & Saints” — All Sons & Daughters

“American Prodigal” — Crowder

“Be One” — Natalie Grant

“Youth Revival [Live]” — Hillsong Young & Free

“Love Remains” — Hillary Scott & the Scott Family

 

Best Latin pop album:

“Un Besito Mas” — Jesse & Joy

“Ilusión” — Gaby Moreno

“Similares” — Laura Pausini

“Seguir Latiendo” — Sanalejo

“Buena Vida” — Diego Torres

 

Best American roots performance:

“Ain’t No Man” — The Avett Brothers

“Mother’s Children Have a Hard Time” — Blind Boys of Alabama

“Factory Girl” — Rhiannon Giddens

“House of Mercy” — Sarah Jarosz

“Wreck You” — Lori McKenna

 

Best spoken word album (includes poetry, audio books & storytelling):

“The Girl With the Lower Back Tattoo” — Amy Schumer

“In Such Good Company: Eleven Years Of Laughter, Mayhem, And Fun In the Sandbox” — Carol Burnett

“M Train” — Patti Smith

“Under the Big Black Sun: A Personal History Of L.A. Punk (John Doe With Tom DeSavia)” — (Various Artists)

“Unfaithful Music & Disappearing Ink” — Elvis Costello

 

Best song written for visual media:

“Can’t Stop the Feeling!” — Max Martin, Shellback & Justin Timberlake, songwriters (Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse & Kunal Nayyar). Track from: “Trolls”

“Heathens” — Tyler Joseph, songwriter (Twenty One Pilots). Track from: “Suicide Squad”

“Just Like Fire” — Oscar Holter, Max Martin, P!nk & Shellback, songwriters (P!nk). Track from: “Alice Through the Looking Glass”

“Purple Lamborghini” — Shamann Cooke, Sonny Moore & William Roberts, songwriters (Skrillex & Rick Ross ). Track from: “Suicide Squad”

“Try Everything” — Mikkel S. Eriksen, Sia Furler & Tor Erik Hermansen, songwriters (Shakira) Track from: “Zootopia”

“The Veil” — Peter Gabriel, songwriter (Peter Gabriel). Track from: “Snowden”

 

Best music video:

“Formation” — Beyoncé

“River” — Leon Bridges

“Up & Up” — Coldplay

“Gosh” — Jamie XX

“Upside Down & Inside Out” — OK Go

 

Producer of the year, non-classical:

Benny Blanco

Greg Kurstin

Max Martin

Nineteen85

Ricky Reed

 

Best pop duo/group performance

“Closer” — The Chainsmokers featuring Halsey

“7 Years” — Lukas Graham

“Work” — Rihanna featuring Drake

“Cheap Thrills” — Sia Featuring Sean Paul

“Stressed Out” — Twenty One Pilots

“Culcha Vulcha” — Snarky Puppy

 

Best rock performance

“Joe (Live From Austin City Limits)” — Alabama Shakes

“Don’t Hurt Yourself” — Beyoncé featuring Jack White

“Blackstar” — David Bowie

“The Sound of Silence (Live On Conan)” — Disturbed

“Heathens” — Twenty One Pilots

 

Best metal performance

“Shock Me” — Baroness

“Silvera” — Gojira

“Rotting In Vain” — Korn

“Dystopia” — Megadeth

“The Price Is Wrong” — Periphery

 

Best rock song

“Blackstar” — David Bowie, songwriter (David Bowie)

“Burn the Witch” — Radiohead, songwriters (Radiohead)

“Hardwired” — James Hetfield & Lars Ulrich, songwriters (Metallica)

“Heathens” — Tyler Joseph, songwriter (Twenty One Pilots)

“My Name Is Human” — Rich Meyer, Ryan Meyer & Johnny Stevens, songwriters (Highly Suspect)

 

Best rock album

“California” — Blink-182

“Tell Me I’m Pretty” — Cage the Elephant

“Magma” — Gojira

“Death of a Bachelor” — Panic! at the Disco

“Weezer” — Weezer

 

Best alternative music album

“22, a Million” — Bon Iver

“Blackstar” — David Bowie

“The Hope Six Demolition Project” — PJ Harvey

“Post Pop Depression” — Iggy Pop

“A Moon Shaped Pool” — Radiohead

 

Best R&B performance

“Turnin’ Me Up” — BJ the Chicago Kid

“Permission” — Ro James

“I Do” — Musiq Soulchild

“Needed Me” — Rihanna

“Cranes In the Sky” — Solange

 

Best traditional R&B performance

“The Three Of Me” — William Bell

“Woman’s World” — BJ the Chicago Kid

“Sleeping With the One I Love” — Fantasia

“Angel” — Lalah Hathaway

“Can’t Wait” — Jill Scott

 

Best R&B song

“Come See Me” — J. Brathwaite, Aubrey Graham & Noah Shebib, songwriters (PartyNextDoor featuring Drake)

“Exchange” — Michael Hernandez & Bryson Tiller, songwriters (Bryson Tiller)

“Kiss It Better” — Jeff Bhasker, Robyn Fenty, John-Nathan Glass & Natalia Noemi, songwriters (Rihanna)

“Lake by the Ocean” — Hod David & Musze, songwriters (Maxwell)

“Luv” — Magnus August Høiberg, Benjamin Levin & Daystar Peterson, songwriters (Tory Lanez)

 

Best urban contemporary album

“Lemonade” — Beyoncé

“Ology” — Gallant

“We Are King” — King

“Malibu” — Anderson .Paak

“Anti” — Rihanna

 

Best R&B album

“In My Mind” — BJ the Chicago Kid

“Lalah Hathaway Live” — Lalah Hathaway

“Velvet Portraits” — Terrace Martin

“Healing Season” — Mint Condition

“Smoove Jones” — Mya

 

Best rap performance

“No Problem” — Chance the Rapper featuring Lil Wayne & 2 Chainz

“Panda” — Desiigner

“Pop Style” — Drake featuring the Throne

“All the Way Up” — Fat Joe & Remy Ma featuring French Montana & Infared

“That Part” — Schoolboy Q featuring Kanye West

 

Best rap/sung performance

“Freedom” — Beyoncé featuring Kendrick Lamar

“Hotline Bling” — Drake

“Broccoli” — D.R.A.M. featuring Lil Yachty

“Ultralight Beam” — Kanye West featuring Chance the Rapper, Kelly Price, Kirk Franklin & the-Dream

“Famous” — Kanye West featuring Rihanna

 

Best rap song

“All the Way Up” — Joseph Cartagena, Edward Davadi, Shandel Green, Karim Kharbouch, Andre Christopher Lyon, Reminisce Mackie & Marcello Valenzano, songwriters (Fat Joe & Remy Ma featuring French Montana & Infared)

“Famous” — Chancelor Bennett, Ross Birchard, Ernest Brown, Andrew Dawson, Kasseem Dean, Mike Dean, Noah Goldstein, Kejuan Muchita, Patrick Reynolds, Kanye West & Cydel Young, songwriters (Kanye West featuring Rihanna)

“Hotline Bling” — Aubrey Graham & Paul Jefferies, songwriters (Drake)

“No Problem” — Chancelor Bennett, Dwayne Carter & Tauheed Epps, songwriters (Chance the Rapper featuring Lil Wayne & 2 Chainz)

“Ultralight Beam” — Chancelor Bennett, Kasseem Dean, Mike Dean, Kirk Franklin, Noah Goldstein, Samuel Griesemer, Terius Nash, Jerome Potter, Kelly Price, Nico “Donnie Trumpet” Segal, Derek Watkins, Kanye West & Cydel Young, songwriters (Kanye West featuring Chance the Rapper, Kelly Price, Kirk Franklin & the-Dream)

 

Best rap album

“Coloring Book” — Chance the Rapper

“And the Anonymous Nobody” — De La Soul

“Major Key” — DJ Khaled

“Views” — Drake

“Blank Face LP” — Schoolboy Q

“The Life of Pablo” — Kanye West

 

Best country solo performance

“Love Can Go to Hell” — Brandy Clark

“Vice” — Miranda Lambert

“My Church” — Maren Morris

“Church Bells” — Carrie Underwood

“Blue Ain’t Your Color” — Keith Urban

 

Best country duo/group performance

“Different For Girls” — Dierks Bentley featuring Elle King

“21 Summer” — Brothers Osborne

“Setting the World On Fire” — Kenny Chesney & P!nk

“Jolene” — Pentatonix featuring Dolly Parton

“Think of You” — Chris Young With Cassadee Pope

 

Best country song

“Blue Ain’t Your Color” — Clint Lagerberg, Hillary Lindsey & Steven Lee Olsen, songwriters (Keith Urban)

“Die a Happy Man” — Sean Douglas, Thomas Rhett & Joe Spargur, songwriters (Thomas Rhett)

“Humble and Kind” — Lori McKenna, songwriter (Tim McGraw)

“My Church” — busbee & Maren Morris, songwriters (Maren Morris)

“Vice” — Miranda Lambert, Shane McAnally & Josh Osborne, songwriters (Miranda Lambert)

 

Best country album

“Big Day In a Small Town” — Brandy Clark

“Full Circle” — Loretta Lynn

“Hero” — Maren Morris

“A Sailor’s Guide to Earth” — Sturgill Simpson

“Ripcord” — Keith Urban

 

Best New Age album

“Orogen” — John Burke

“Dark Sky Island” — Enya

“Inner Passion” — Peter Kater & Tina Guo

“Rosetta” — Vangelis

“White Sun II” – White Sun

 

Best improvised jazz solo

“Countdown” — Joey Alexander, soloist

“In Movement” — Ravi Coltrane, soloist

“We See” — Fred Hersch, soloist

“I Concentrate On You” — Brad Mehldau, soloist

“I’m So Lonesome I Could Cry” — John Scofield, soloist

 

Best jazz vocal album

“Sound of Red” — René Marie

“Upward Spiral” — Branford Marsalis Quartet With Special Guest Kurt Elling

“Take Me to the Alley” — Gregory Porter

“Harlem On My Mind” — Catherine Russell

“The Sting Variations” — The Tierney Sutton Band

 

Best jazz instrumental album

“Book of Intuition” — Kenny Barron Trio

“Dr. Um” — Peter Erskine

“Sunday Night at the Vanguard” — The Fred Hersch Trio

“Nearness” — Joshua Redman & Brad Mehldau

“Country For Old Men” — John Scofield

 

Best large jazz ensemble album

“Real Enemies” — Darcy James Argue’s Secret Society

“Presents Monk’estra, Vol. 1” — John Beasley

“Kaleidoscope Eyes: Music of the Beatles” — John Daversa

“All L.A. Band” — Bob Mintzer

“Presidential Suite: Eight Variations On Freedom” — Ted Nash Big Band

 

Best Latin jazz album

“Entre Colegas” — Andy González

“Madera Latino: A Latin Jazz Perspective on the Music of Woody Shaw” — Brian Lynch & Various Artists

“Canto América” — Michael Spiro/Wayne Wallace La Orquesta Sinfonietta

“30” — Trio Da Paz

“Tribute to Irakere: Live In Marciac” — Chucho Valdés

 

Best gospel performance/song

“It’s Alright, It’s OK” — Shirley Caesar featuring Anthony Hamilton

“You’re Bigger [Live]” — Jekalyn Carr

“Made A Way [Live]” — Travis Greene

“God Provides” — Tamela Mann

“Better” — Hezekiah Walker

 

Best contemporary Christian music performance/song

“Trust In You” — Lauren Daigle

“Priceless” — For King & Country

“King of the World” — Natalie Grant

“Thy Will” — Hillary Scott & the Scott Family

“Chain Breaker” — Zach Williams

 

Best gospel album

“Listen” — Tim Bowman Jr.

“Fill This House” — Shirley Caesar

“A Worshipper’s Heart [Live]” — Todd Dulaney

“Losing My Religion” — Kirk Franklin

“Demonstrate [Live]” — William Murphy

 

Best contemporary Christian music album

“Poets & Saints” — All Sons & Daughters

“American Prodigal” — Crowder

“Be One” — Natalie Grant

“Youth Revival [Live]” — Hillsong Young & Free

“Love Remains” — Hillary Scott & the Scott Family

 

Best roots gospel album

“Better Together” — Gaither Vocal Band

“Nature’s Symphony In 432” — The Isaacs

“Hymns” — Joey+Rory

“Hymns and Songs of Inspiration” — Gordon Mote

“God Don’t Never Change: The Songs of Blind Willie Johnson” — (Various Artists)

 

Best Latin pop album

“Un Besito Mas” — Jesse & Joy

“Ilusión” — Gaby Moreno

“Similares” — Laura Pausini

“Seguir Latiendo” — Sanalejo

“Buena Vida” — Diego Torres

 

Best Latin rock, urban or alternative album

“ilevitable” — ile

“L.H.O.N. (La Humanidad O Nosotros)” — Illya Kuryaki & the Valderamas

“Buenaventura” — La Santa Cecilia

“Los Rakas” — Los Rakas

“Amor Supremo” — Carla Morrison

 

Best regional Mexican music album (including Tejano)

“Raíces” — Banda El Recodo De Cruz Lizárraga

“Hecho A Mano” — Joss Favela

“Un Azteca En El Azteca, Vol. 1 (En Vivo)” — Vicente Fernández

“Generación Maquinaria Est. 2006.” — La Maquinaria Norteña

“Tributo A Joan Sebastian Y Rigoberto Alfaro” — Mariachi Divas De Cindy Shea

 

Best tropical Latin album

“Conexión” — Fonseca

“La Fantasia Homenaje A Juan Formell” — Formell Y Los Van Van

“35 Aniversario” — Grupo Niche

“La Sonora Santanera En Su 60 Aniversario” — La Sonora Santanera

“Donde Están?” — Jose Lugo & Guasábara Combo

 

Best American roots performance

“Ain’t No Man” — The Avett Brothers

“Mother’s Children Have a Hard Time” — Blind Boys of Alabama

“Factory Girl” — Rhiannon Giddens

“House of Mercy” — Sarah Jarosz

“Wreck You” — Lori McKenna

 

American roots music

“Alabama at Night” — Robbie Fulks

“City Lights” — Jack White

“Gulfstream” — Roddie Romero and the Hub City All-Stars

“Kid Sister” — The Time Jumpers

“Wreck You” — Lori McKenna

 

Best Americana album

“True Sadness” — The Avett Brothers

“This Is Where I Live” — William Bell

“The Cedar Creek Sessions” — Kris Kristofferson

“The Bird & the Rifle” — Lori McKenna

“Kid Sister” — The Time Jumpers

 

Best bluegrass album

“Original Traditional” — Blue Highway

“Burden Bearer” — Doyle Lawson & Quicksilver

“The Hazel and Alice Sessions” — Laurie Lewis & the Right Hands

“North By South” — Claire Lynch

“Coming Home” — O’Connor Band With Mark O’Connor

 

Best traditional blues album

“Can’t Shake This Feeling” — Lurrie Bell

“Live at the Greek Theatre” — Joe Bonamassa

“Blues & Ballads (A Folksinger’s Songbook: Volumes I & II)” — Luther Dickinson

“The Soul of Jimmie Rodgers” — Vasti Jackson

“Porcupine Meat” — Bobby Rush

 

Best contemporary blues album

“The Last Days of Oakland” — Fantastic Negrito

“Love Wins Again” — Janiva Magness

“Bloodline” — Kenny Neal

“Give It Back to You” — The Record Company

“Everybody Wants a Piece” — Joe Louis Walker

 

Best folk album

“Silver Skies Blue” — Judy Collins & Ari Hest

“Upland Stories” — Robbie Fulks

“Factory Girl” — Rhiannon Giddens

“Weighted Mind” — Sierra Hull

“Undercurrent” — Sarah Jarosz

 

Best regional roots music album

“Broken Promised Land” — Barry Jean Ancelet & Sam Broussard

“It’s a Cree Thing” — Northern Cree

“E Walea” — Kalani Pe’a

“Gulfstream” — Roddie Romero and the Hub City All-Stars

“I Wanna Sing Right: Rediscovering Lomax In the Evangeline Country” —  (Various Artists)

 

Best reggae album

“Sly & Robbie Presents … Reggae For Her” — Devin Di Dakta & J.L

“Rose Petals” — J Boog

“Ziggy Marley” — Ziggy Marley

“Everlasting” — Raging Fyah

“Falling Into Place” — Rebelution

“SOJA: Live In Virginia” — SOJA

 

Best world music album

“Destiny” — Celtic Woman

“Walking In the Footsteps Of Our Fathers” — Ladysmith Black Mambazo

“Sing Me Home” — Yo-Yo Ma & the Silk Road Ensemble

“Land Of Gold” — Anoushka Shankar

“Dois Amigos, Um Século De Música: Multishow Live” — Caetano Veloso & Gilberto Gil

 

Best children’s album

“Explorer Of the World” — Frances England

“Infinity Plus One” — Secret Agent 23 Skidoo

“Novelties” — Recess Monkey

“Press Play” — Brady Rymer and the Little Band That Could

“Saddle Up” — The Okee Dokee Brothers

 

Best comedy album

“… America … Great …” — David Cross

“American Myth” — Margaret Cho

“Boyish Girl Interrupted” — Tig Notaro

“Live at the Apollo” — Amy Schumer

“Talking For Clapping” — Patton Oswalt

 

Best musical theater album

“Bright Star”

“The Color Purple”

“Fiddler On the Roof”

“Kinky Boots”

“Waitress”

 

Best compilation soundtrack for visual media

“Amy” (Various Artists)

“Miles Ahead” (Miles Davis & Various Artists)

“Straight Outta Compton” (Various Artists)

“Suicide Squad” (Collector’s Edition) (Various Artists)

“Vinyl: The Essentials Season 1″ (Various Artists)

 

Best score soundtrack for visual media

“Bridge of Spies” — Thomas Newman, composer

“Quentin Tarantino’s the Hateful Eight” — Ennio Morricone, composer

“The Revenant” — Alva Noto & Ryuichi Sakamoto, composers

“Star Wars: The Force Awakens” — John Williams, composer

“Stranger Things Volume 1″ — Kyle Dixon & Michael Stein, composers

“Stranger Things Volume 2” — Kyle Dixon & Michael Stein, composers

 

Best song written for visual media

“Can’t Stop the Feeling!” — Max Martin, Shellback & Justin Timberlake, songwriters (Justin Timberlake, Anna Kendrick, Gwen Stefani, James Corden, Zooey Deschanel, Walt Dohrn, Ron Funches, Caroline Hjelt, Aino Jawo, Christopher Mintz-Plasse & Kunal Nayyar)

“Heathens” — Tyler Joseph, songwriter (Twenty One Pilots)

“Just Like Fire” — Oscar Holter, Max Martin, P!nk & Shellback, songwriters (P!nk)

“Purple Lamborghini” — Shamann Cooke, Sonny Moore & William Roberts, songwriters (Skrillex & Rick Ross)

“Try Everything” — Mikkel S. Eriksen, Sia Furler & Tor Erik Hermansen, songwriters (Shakira)

“The Veil” — Peter Gabriel, songwriter (Peter Gabriel)

 

Best instrumental composition

“Bridge of Spies (End Title)” — Thomas Newman, composer

“The Expensive Train Set (An Epic Sarahnade For Double Big Band)” — Tim Davies, composer

“Flow” — Alan Ferber, composer

“L’Ultima Diligenza Di Red Rock”  Versione Integrale — Ennio Morricone, composer

“Spoken at Midnight” — Ted Nash, composer

 

Best arrangement, instrumental or a cappella

“Ask Me Now” — John Beasley, arranger

“Good Swing Wenceslas” — Sammy Nestico, arranger

“Linus & Lucy” — Christian Jacob, arranger

“Lucy In the Sky With Diamonds” — John Daversa, arranger

“We Three Kings” — Ted Nash, arranger

“You And I” — Jacob Collier, arrange

 

Best arrangement, instruments and vocals

“Do You Hear What I Hear?” — Gordon Goodwin, arranger (Gordon Goodwin’s Big Phat Band Featuring Take 6)

“Do You Want To Know a Secret” — John Daversa, arranger (John Daversa Featuring Renee Olstead)

“Flintstones” — Jacob Collier, arranger (Jacob Collier)

“I’m a Fool to Want You” — Alan Broadbent, arranger (Kristin Chenoweth)

“Somewhere (Dirty Blvd)” (Extended Version) — Billy Childs & Larry Klein, arrangers (Lang Lang Featuring Lisa Fischer & Jeffrey Wright )

 

Best recording package

“Anti” (Deluxe Edition) — Ciarra Pardo & Robyn Fenty, art directors (Rihanna)

“Blackstar” — Jonathan Barnbrook, art director (David Bowie)

“Human Performance” — Andrew Savage, art director (Parquet Courts)

“Sunset Motel” — Sarah Dodds & Shauna Dodds, art directors (Reckless Kelly)

“22, A Million” — Eric Timothy Carlson, art director (Bon Iver)

 

Best boxed or special limited edition package

“Edith Piaf 1915-2015” — Gérard Lo Monaco, art director (Edith Piaf)

“401 Days” — Jonathan Dagan & Mathias Høst Normark, art directors (J.Views)

“I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It” (Box Set) — Samuel Burgess-Johnson & Matthew Healy, art directors (The 1975)

“Paper Wheels” (Deluxe Limited Edition) — Matt Taylor, art director (Trey Anastasio)

“Tug of War” (Deluxe Edition) — Simon Earith & James Musgrave, art directors (Paul McCartney)

 

Best album notes

“The Complete Monument & Columbia Albums Collection” — Mikal Gilmore, album notes writer (Kris Kristofferson)

“The Knoxville Sessions, 1929-1930: Knox County Stomp” — Ted Olson & Tony Russell, album notes writers (Various Artists)

“Ork Records: New York, New York” — Rob Sevier & Ken Shipley, album notes writers (Various Artists)

“Sissle and Blake Sing Shuffle Along” — Ken Bloom & Richard Carlin, album notes writers (Eubie Blake & Noble Sissle)

“Waxing the Gospel: Mass Evangelism & the Phonograph, 1890-1900” — Richard Martin, album notes writer (Various Artists)

 

Best historical album

“The Cutting Edge 1965-1966: The Bootleg Series, Vol.12” (Collector’s Edition) (Bob Dylan)

“Music Of Morocco From the Library of Congress: Recorded By Paul Bowles, 1959” (Various Artists)

“Ork Records: New York, New York” (Various Artists)

“Vladimir Horowitz: The Unreleased Live Recordings 1966-1983” (Vladimir Horowitz)

“Waxing the Gospel: Mass Evangelism & the Phonograph, 1890-1900” (Various Artists)

 

Best engineered album, non-classical

“Are You Serious” — Tchad Blake & David Boucher, engineers; Bob Ludwig, mastering engineer (Andrew Bird)

“Blackstar” — David Bowie, Tom Elmhirst, Kevin Killen & Tony Visconti, engineers; Joe LaPorta, mastering engineer (David Bowie)

“Dig In Deep” — Ryan Freeland, engineer; Kim Rosen, mastering engineer (Bonnie Raitt)

“Hit N Run Phase Two” — Booker T., Dylan Dresdow, Chris James, Prince & Justin Stanley, engineers; Dylan Dresdow, mastering engineer (Prince)

“Undercurrent” — Shani Gandhi & Gary Paczosa, engineers; Paul Blakemore, mastering engineer (Sarah Jarosz)

 

Producer of the year, non-classical

Benny Blanco

Greg Kurstin

Max Martin

Nineteen85

Ricky Reed

 

Best remixed recording

“Cali Coast” (Psionics Remix) — Josh Williams, remixer (Soul Pacific)

“Heavy Star Movin’” (staRo Remix) — staRo, remixer (The Silver Lake Chorus)

“Nineteen Hundred Eighty-Five” (Timo Maas & James Teej Remix) — Timo Maas & James Teej, remixers (Paul McCartney & Wings)

“Only” (Kaskade x Lipless Remix) — Ryan Raddon, remixer (Ry X)

“Tearing Me Up” (RAC Remix) — André Allen Anjos, remixer (Bob Moses)

“Wide Open” (Joe Goddard Remix) — Joe Goddard, remixer (The Chemical Brothers)

 

Best surround sound album

“Dutilleux: Sur Le Même Accord; Les Citations; Mystère De L’instant & Timbres, Espace, Mouvement” — Alexander Lipay & Dmitriy Lipay, surround mix engineers; Dmitriy Lipay, surround mastering engineer; Dmitriy Lipay, surround producer (Ludovic Morlot & Seattle Symphony)

“Johnson: Considering Matthew Shepard” — Brad Michel, surround mix engineer; Brad Michel, surround mastering engineer; Robina G. Young, surround producer (Craig Hella Johnson & Conspirare)

“Maja S.K. Ratkje: And Sing …” — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Maja S.K. Ratkje, Cikada & Oslo Sinfonietta)

“Primus & the Chocolate Factory” (5.1 Surround Sound Edition) — Les Claypool, surround mix engineer; Stephen Marcussen, surround mastering engineer; Les Claypool, surround producer (Primus)

“Reflections” — Morten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Øyvind Gimse, Geir Inge Lotsberg & Trondheimsolistene)

 

Best engineered album, classical

“Corigliano: The Ghosts of Versailles” — Mark Donahue & Fred Vogler, engineers (James Conlon, Guanqun Yu, Joshua Guerrero, Patricia Racette, Christopher Maltman, Lucy Schaufer, Lucas Meachem, LA Opera Chorus & Orchestra)

“Dutilleux: Sur Le Même Accord; Les Citations; Mystère De L’Instant & Timbres, Espace, Mouvement” — Alexander Lipay & Dmitriy Lipay, engineers (Ludovic Morlot & Seattle Symphony)

“Reflections” — Morten Lindberg, engineer (Øyvind Gimse, Geir Inge Lotsberg & Trondheimsolistene)

“Shadow of Sirius” — Silas Brown & David Frost, engineers; Silas Brown, mastering engineer (Jerry F. Junkin & the University Of Texas Wind Ensemble)

“Shostakovich: Under Stalin’s Shadow  Symphonies Nos. 5, 8 & 9” — Shawn Murphy & Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons & Boston Symphony Orchestra)

 

Producer of the year, classical

Blanton Alspaugh

David Frost

Marina A. Ledin, Victor Ledin

Judith Sherman

Robina G. Young

 

Best orchestral performance

“Bates: Works for Orchestra” — Michael Tilson Thomas, conductor (San Francisco Symphony)

“Ibert: Orchestral Works” — Neeme Järvi, conductor (Orchestre De La Suisse Romande)

“Prokofiev: Symphony No. 5 In B-Flat Major, Op. 100” — Mariss Jansons, conductor (Royal Concertgebouw Orchestra)

“Rouse: Odna Zhizn; Symphonies 3 & 4; Prospero’s Rooms” — Alan Gilbert, conductor (New York Philharmonic)

“Shostakovich: Under Stalin’s Shadow – Symphonies Nos. 5, 8 & 9” — Andris Nelsons, conductor (Boston Symphony Orchestra)

 

Best opera recording

“Corigliano: The Ghosts of Versailles” — James Conlon, conductor; Joshua Guerrero, Christopher Maltman, Lucas Meachem, Patricia Racette, Lucy Schaufer & Guanqun Yu; Blanton Alspaugh, producer (LA Opera Orchestra; LA Opera Chorus)

“Handel: Giulio Cesare” — Giovanni Antonini, conductor; Cecilia Bartoli, Philippe Jaroussky, Andreas Scholl & Anne-Sofie von Otter; Samuel Theis, producer (Il Giardino Armonico)

“Higdon: Cold Mountain” — Miguel Harth-Bedoya, conductor; Emily Fons, Nathan Gunn, Isabel Leonard & Jay Hunter Morris; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra; Santa Fe Opera Apprentice Program for Singers)

“Mozart: Le Nozze Di Figaro” — Yannick Nézet-Séguin, conductor; Thomas Hampson, Christiane Karg, Luca Pisaroni & Sonya Yoncheva; Daniel Zalay, producer (Chamber Orchestra of Europe; Vocalensemble Rastatt)

“Szymanowski: Król Roger” — Antonio Pappano, conductor; Georgia Jarman, Mariusz Kwiecień & Saimir Pirgu; Jonathan Allen, producer (Orchestra of the Royal Opera House; Royal Opera Chorus)

 

Best choral performance

“Himmelrand” — Elisabeth Holte, conductor (Marianne Reidarsdatter Eriksen, Ragnfrid Lie & Matilda Sterby; Inger-Lise Ulsrud; Uranienborg Vokalensemble)

“Janáček: Glagolitic Mass” — Edward Gardner, conductor; Håkon Matti Skrede, chorus master (Susan Bickley, Gábor Bretz, Sara Jakubiak & Stuart Skelton; Thomas Trotter; Bergen Philharmonic Orchestra; Bergen Cathedral Choir, Bergen Philharmonic Choir, Choir of Collegium Musicum & Edvard Grieg Kor)

“Lloyd: Bonhoeffer” — Donald Nally, conductor (Malavika Godbole, John Grecia, Rebecca Harris & Thomas Mesa; the Crossing)

“Penderecki Conducts Penderecki, Volume 1” — Krzysztof Penderecki, conductor; Henryk Wojnarowski, choir director (Nikolay Didenko, Agnieszka Rehlis & Johanna Rusanen; Warsaw Philharmonic Orchestra; Warsaw Philharmonic Choir)

“Steinberg: Passion Week” — Steven Fox, conductor (The Clarion Choir)

 

Best chamber music/small ensemble performance

“Fitelberg: Chamber Works” — ARC Ensemble

“Reflections” — Øyvind Gimse, Geir Inge Lotsberg & Trondheimsolistene

“Serious Business” — Spektral Quartet

“Steve Reich” — Third Coast Percussion

“Trios From Our Homelands” — Lincoln Trio

 

Best classical instrumental solo

“Adams, J.: Scheherazade.2” — Leila Josefowicz; David Robertson, conductor (Chester Englander; St. Louis Symphony)

“Daugherty: Tales of Hemingway” — Zuill Bailey; Giancarlo Guerrero, conductor (Nashville Symphony)

“Dvořák: Violin Concerto & Romance; Suk: Fantasy” — Christian Tetzlaff; John Storgårds, conductor (Helsinki Philharmonic Orchestra)

“Mozart: Keyboard Music, Vols. 8 & 9” – Kristian Bezuidenhout

“1930’s Violin Concertos, Vol. 2” – Gil Shaham; Stéphane Denève, conductor (The Knights & Stuttgart Radio Symphony Orchestra)

 

Best classical solo vocal album

“Monteverdi” — Magdalena Kožená; Andrea Marcon, conductor (David Feldman, Michael Feyfar, Jakob Pilgram & Luca Tittoto; La Cetra Barockorchester Basel)

“Mozart: The Weber Sisters” — Sabine Devieilhe; Raphaël Pichon, conductor (Pygmalion)

“Schumann & Berg” — Dorothea Röschmann; Mitsuko Uchida, accompanist

“Shakespeare Songs” — Ian Bostridge; Antonio Pappano, accompanist (Michael Collins, Elizabeth Kenny, Lawrence Power & Adam Walker)

“Verismo” — Anna Netrebko; Antonio Pappano, conductor (Yusif Eyvazov; Coro Dell’Accademia Nazionale Di Santa Cecilia; Orchestra Dell’Accademia Nazionale Di Santa Cecilia)

 

Best classical compendium

“Daugherty: Tales of Hemingway; American Gothic; Once Upon A Castle” — Giancarlo Guerrero, conductor; Tim Handley, producer

“Gesualdo” — Tõnu Kaljuste, conductor; Manfred Eicher, producer

“Vaughan Williams: Discoveries” — Martyn Brabbins, conductor; Andrew Walton, producer

“Wolfgang: Passing Through” — Judith Farmer & Gernot Wolfgang, producers; (Various Artists)

“Zappa: 200 Motels – The Suites” — Esa-Pekka Salonen, conductor; Frank Filipetti & Gail Zappa, producers

 

Best contemporary classical composition

“Bates: Anthology of Fantastic Zoology” — Mason Bates, composer (Riccardo Muti  & Chicago Symphony Orchestra)

“Daugherty: Tales of Hemingway” — Michael Daugherty, composer (Zuill Bailey, Giancarlo Guerrero & Nashville Symphony)

“Higdon: Cold Mountain” — Jennifer Higdon, composer; Gene Scheer, librettist (Miguel Harth-Bedoya, Jay Hunter Morris, Emily Fons, Isabel Leonard, Nathan Gunn & the Santa Fe Opera)

“Theofanidis: Bassoon Concerto” — Christopher Theofanidis, composer (Martin Kuuskmann, Barry Jekowsky & Northwest Sinfonia)

“Winger: Conversations With Nijinsky” — C. F. Kip Winger, composer (Martin West & San Francisco Ballet Orchestra)

 

Best music video

“Formation” — (Beyoncé) Melina Matsoukas, video director; Nathan Scherrer, video producer

“River” — (Leon Bridges) Miles Jay, video director; Dennis Beier, Allison Kunzman & Saul Levitz, video producers

“Up & Up” — (Coldplay) Vania Heymann & Gal Muggia, video directors; Juliette Larthe & Natan Schottenfels, video producers

“Gosh” — (Jamie XX) Romain Gavras, video director; Iconoclast, video producers

“Upside Down & Inside Out” — (OK Go) Damian Kulash Jr. & Trish Sie, video directors; Melissa Murphy & John O’Grady, video producers

 

Best music film

I’ll Sleep When I’m Dead: Steve Aoki — Justin Krook, video director; Brent Almond, Matt Colon, David Gelb, Ryan Kavanaugh, Happy Walters & Matthew Weaver, video producers

The Beatles: Eight Days a Week the Touring Years —  Ron Howard, video director; Brian Grazer, Ron Howard, Scott Pascucci & Nigel Sinclair, video producers

Lemonade — Beyoncé Knowles Carter & Kahlil Joseph, video directors; Beyoncé Knowles Carter, video producer

The Music of Strangers — Yo-Yo Ma & the Silk Road Ensemble Morgan Neville, video director; Caitrin Rogers, video producer

American Saturday Night: Live From the Grand Ole Opry — George J. Flanigen IV, video director; John Burke & Lindsey Clark, video producers

Music News and Moments from the Red Carpet at MusiCares The Tom Petty Person of the Year Benefit

By DONNA BALANCIA

Tom Petty may have been the star of the show, but music news was fast a furious on the red carpet at the MusiCares Person of the Year party honoring Tom Petty.

Everyone from Stevie Nicks and Gary Clark, Jr., to Taj Mahal stopped to chat on their way to their performances, mentioning new projects, tour news and their Tom Petty stories.

Gary Clark, Jr.

How does Gary feel about being credited with owning the direction of where the next generation of blues is going?

“I take that responsibility very seriously,” he said. Regarding his latest works he said he came up with the idea to really focus on music. “I thought, ‘I’m going write about music,’ he said. ‘I was listening to Curtis Mayfield and Bob Marley and thought, ‘This is my healing.'”

Gary’s gorgeous wife, Nicole, said she had no qualms about dating a musician, “My father played music,” she said. She said that Gary came to her home saw the grand piano and sat down and started to play without ever having played piano before and that won her over.

But it’s typical of his personality, she said.  Meanwhile, Gary advised that if you want to find true success, and not just score the financial victories, musicians need to be honest.

“You have to stay true to yourself,” he said. “Stay true to what’s in your heart and don’t let anybody derail you.”

John Poppo, Chairman of the Board for The Recording Academy

John said he couldn’t be happier about the direction MusiCares is going.

“It’s the best thing we do, it’s the most important thing we do,” he said. “This is a feel-good night to raise money and awareness.” Musicians can always come to MusiCares when the chips are down, when their health goes south or if they need help paying the bills because of an illness.

“They come to us confidentially,” he said. “We might pick up a mortgage payment or rent.  With Hurricane Katrina we gave more than a million dollars down there. Most of the musicians lost everything.”

As far as Tom Petty as a selection for Person of the Year?

“He has a catalogue of songs that can be be interpreted by other artists — and he said yes!”

Taj Mahal

The Blues legend, is not above teaming with younger cats. He told us he’s got a new collaboration with Keb Mo’ in the works.  “It’s not at the stage where it has a name,” he said, so right now we’re calling it “Taj Mo.”  When asked how do musicians on the rise keep the faith he said simply: “Ignore the naysayers.”

Jeff Lynne

Electric Light Orchestra wouldn’t have the prolific history without Jeff Lynne, who said Tom Petty has played a big role in his life as a friend and colleague. “He’s a great guy,” Lynne said. And though he was to sing the triumphant Petty song “I Won’t Back Down,” he didn’t care to comment on his political affiliations. When asked about his latest projects, he told EastCoastRocker.com he wasn’t working on anything and that he would be coming out with an album “eventually.”

Stevie Nicks

The songbird Stevie Nicks couldn’t say enough nice things about her pal Tom Petty

“He’s my B-F-F-F-F-F-F-F-F-F!” she said.  She told us she jumped at the chance to celebrate him Friday night. “When we met, I felt we would be friends forever,” she said. “He tells people that in the late 1970s I insisted on being in his life and I did. I asked him if he ever considered having a girl in the band and he said ‘No girls allowed.’ But he did let me come on the road in 2007.”

Stevie said her favorite music is Joni Mitchell and she’s been inspired by how Mitchell phrased her songs. When asked about her current tour with Chrissie Hynde, Stevie had nice words. “We’re having a great time and when we finish we’re going on a comedy tour!”

Cage The Elephant

Nick Bockrath of Cage The Elephant said it’s been a tough road for the rockers and he says young bands today need to persist.

“It’s a tough period for rock, but we broke through,” he said. “It’s all about persistence and hard work. It’s a tough time for rock bands.

“We’re so thankful,” drummer Jared Champion said. “Go to band practice and write.”

“Go on tour, play to the one bartender in the place, play to your mom if you have to,” Nick said. “You have to do what it takes and it’s about doing what you love.”

 

MusiCares Tom Petty Tribute Raises More than $8 Million in Night of Heavenly Music Stars

Musical Pals of Tom Petty Come Out to Honor Him as MusiCares Person of the Year

By DONNA BALANCIA

Tom Petty and pals helped raise more than $8 million as the he was celebrated as the MusiCares Person of the Year.

Each year, the MusiCares tribute a highlight of GRAMMY week, as it raises money for health needs of musicians and honors a major artist.

Gary Clark Jr. performed with the Foo Fighters - Photo © 2017 Donna Balancia

Gary Clark Jr. performed with the Foo Fighters – Photo © 2017 Donna Balancia

The Red Carpet was packed with music stars ranging from Gary Clark Jr., to Jeff Lynne.

The night was dedicated to Petty with his songs performed  by veterans Don Henley Foo Fighters, Taj Mahal and George Strait as well as young bands The Head and The Heart, Cage The Elephant and The Lumineers.

The ladies did their part in honoring Petty as well with Lucinda Williams and Regina Spektor bringing some flash to the show.

Jackson Browne brought some emotions to the songs “The Waiting” and “Learning to Fly.”

Stevie Nicks sang a duet with Petty, their famous 1981 hit “Stop Draggin’ My Heart Around,” as Petty said she was practically family.

Stevie Nicks called Tom Petty her BFFFF - Photo © 2017 Donna Balancia

Stevie Nicks called Tom Petty her BFFFF – Photo © 2017 Donna Balancia

Nicks told East Coast Rocker that Petty was her “BFFFFFFF” and how he penned at least one or two famous songs for her.

In accepting the honor, Petty recalled that Johnny Cash helped him, Mo Ostin rescued Petty’s song after MCA turned it down and he was the one to put out “Free Falling”

Petty said he was on his best behavior as his family was in the audience.

In a speech he made to the elegantly dressed audience of rock and roll fans, Petty recalled some stories of his mentors including Leon Russell and Johnny Cash.

He said Russell told him he had to “earn” the right to wear dark glasses at night.

“He said ‘s what the hell you doin with the dark glasses,'” Petty recalled.  “I don’t know it feels cool like Jimmy Keltner. He said, ‘Wearing sunglasses at night is an honor you earn. Lou adler had Johnny Rivers and the Mamas and Papas before he put them glasses on. Jack Nicholson made really shitty Boris Karloff movies before he put them glasses on. Well,” Petty said as he lifted his sunglasses to his face, “I’m putting my glasses on.”

Petty proudly wears sunglasses at night - Photo courtesy Libby Kaufman

Petty proudly wears sunglasses at night – Photo courtesy Libby Kaufman

Petty said he was fortunate enough to know the great Johnny Cash and loved his song “Big River.” He said young songwriters should listen to “Big River” about 60 times and “You’ll write something.”

Petty and the Heartbreakers made an album with Johnny Cash that won a GRAMMY for the best country record of the year “without being played once on a country station.”

“This morning I was looking through a box and a letter fell out, it was from John on my 50th birthday and it said Happy Birthday, you’re a good man to ride the river with.” That’s all I want to be is a good man to ride the river with and I’m gonna keep riding the river.”